Tuesday, March 31, 2009

Good and evil OF contemporary theater ( N.B. the preposition is deliberate: theater can be uplifting or propagandistic )

http://tinyurl.com/cjsn75

 New Broadway Play About Hero Who Is … Religious!

By Dennis Prager


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...

The Irena of the title is Irene Gut Opdyke, who, at the time of the play's World War II's setting, was a pretty 19-year-old blond Polish Roman Catholic to whom fate (she would say G-d) gave the opportunity to save 12 Jews in, of all places, the home of the highest-ranking German officer in a Polish city. Ultimately discovered by the Nazi officer, she was offered the choice of becoming the elderly Nazi's mistress or the Jews all being sent to death camps....

 how conflicted she was about what she consented to do not only because she became what fellow Poles derided as a "Nazi whore" but because as a deeply religious Catholic she was sure she was committing a grave sin by regularly sleeping with a man to whom she was not married and worse, indeed a married man, which likely rendered her sin of adultery a mortal sin. ...

*****

On the other hand we have,

http://tinyurl.com/cdc4lw

  • ... the plot of celebrated British playwright Caryl Churchill's "Seven Jewish Children," which debuted last month to some controversy and much acclaim at London's Royal Court Theater....
  • So, for the first scene we have the line, "Don't tell her they'll kill her" -- the "they" presumably referring to Nazis. Yet by the final scene the tables have turned. Now it's the Jews who behave like Nazis: "Tell her," says one of the play's Zionist elders, "I wouldn't care if we wiped them out . . . tell her we're better haters, tell her we're chosen people, tell her I look at one of their children covered in blood and what do I feel? Tell her all I feel is happy it's not her."

Just what is this supposed to mean? ... Ms. Churchill herself has written that she "wanted [the play] in some small way to reflect the shock and enormity of what happened in Gaza....

provided you're willing to reduce the Arab-Israeli conflict to caricature, magnify it to the exclusion of all others, assign blame (and moral agency) wholly to one side, ...

In other words, if you're prepared to manipulate history as dishonestly as our vile little "play" ...then it's easy to draw a damning moral. ...

Of course she cites the authority of Israel's many internal dissenters and Jewish critics as another method of self-justification, thereby using Israel's own openness as a club with which to bludgeon it. Yet if you say, for instance, that Israel is a fascist state and cite the testimony of Israelis who freely argue as much, then you have done nothing except instantly disprove your own premise.

But logic is not the issue here, nor, really, are the facts...

Readers may wonder why Ms. Churchill's trite agitprop...maybe it's best ignored. But I'm reminded of what a better Churchill -- Winston -- wrote about the German decision in 1917 to put V.I. Lenin on a sealed train to Petersburg, "in the same way you might send a phial containing a culture of typhoid or cholera to be poured into the water supply of a great city." Something foul has now gotten into our water, too.

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